How important is it to assign a real face to my character in my writing process?
It's not crucial, but if I can have it, why not?
In order to do more ‘show’ than ‘tell’, I need to be able to translate the character’s body language, facial expressions, the way he/she speaks into words. I always find it helpful to have an image/a face ready in my head.
I normally start with celebrities. Browsing their faces is easy and a lot of fun. Once I find the face I'm looking for, I’ll
apply my own imagination to the rest: how they dress, how they walk, how they
shrug their shoulders, how they smile etc. etc. You get the idea.
In A broken Love Story
series, I use Kristin Kreuk’s face for Lea and a Thailand’s soap opera actor whose
name I don’t know as Andrew.
I'm currently writing a very early (and messy) draft
of Fly. After the plot and the
character’s back story are created, I begin the search for my characters’ face.
Since one of the characters is a Hong Kong citizen, it's only ideal to find a familiar Hong
Kong face. I’ve always been fascinated with Tony Leung the actor, so I ‘assign’
him as Ben, both the sixteen-year-old and the twenty-year-old. Tony Leung has
that shy and nerd qualities I need for my hero.
Kai is a little bit complicated. I still need to work on a few details
about her before I can assign someone’s face to her. Nevertheless, I was
drawn to these young models’ photos. Image-wise, those two are so Kai:
easy going, outspoken, wild, fun, and unpredictable. Kai is the kind of girl
who will face everything in life with a huge smile on her face. Oh, and she's a model too. I haven’t
written much yet, but I’m already in love with Kai, truly and tremendously.
Fly is an upper YA contemporary standalone.
“Go, Kai. Fly. Don’t look back. If it’s meant to be, I’ll catch up.”
He finds her four years later in Los Angeles. There’s no denial that the feeling they have for each other still rings true despite years of separation. What started off as an innocent puppy love has clearly grown into something more.
“You’ve caught up,” Kai says. But Kai soon realizes Ben doesn’t come to catch up. Ben comes to say goodbye.
Standing at a crossroads, Kai can easily see where each path will lead her. What she cannot see is Ben.
What’s the purpose of flying if she loses the sight of the horizon?